I first heard
about The Language of Flowers (2011)
by Vanessa Diffenbaugh from a friend. Apparently it was a book that is becoming
quite popular in book clubs. Having only a vague idea of what it was about,
but not wanting to be left out, I checked it out from the library.
The story begins
and revolves around the life of Victoria Jones, an 18-year-old foster child who
had been abandoned at birth by her mother. Pushed around between countless
abusive foster homes and then group homes, Victoria, now an “adult” and completely
alone in the world, suddenly has to take care of herself. She quickly finds
herself living in the streets of San
Francisco.
This novel jumps
between Victoria’s
present-day struggles and Victoria
as a nine-year-old girl at her last foster home. Victoria is brought by her caseworker to the
home of Elizabeth, a single woman living on a vineyard. Elizabeth has the patience and understanding
to eventually forge a relationship with Victoria,
teaching her communication and connection through “the language of flowers”—an
old Victorian way of communicating during courting. Nine-year-old Victoria is finally
starting to trust and connect with Elizabeth,
but the reader already knows that something went terribly wrong that pulled the
two of them apart.
Not knowing what
to expect when I picked it up, I was pleasantly surprised by this novel. I was
immediately drawn into the story because I was instantly concerned by Victoria’s plight. Here
was a teenager, with no support system, little education, no money, and no
social skills trying to start out her life. I felt overwhelmed for her. In
addition, the mystery of what had occurred in Victoria’s past kept me flipping open my
kindle instead of turning on my television. I appreciate that Diffenbaugh was
able to allude to the difficulties and abuses that Victoria had suffered without going into the
grisly detail. I also appreciate that Diffenbaugh acknowledged that Victoria had real and
deap-seated issues that could not simply be cured by one person being nice to
her. Diffenbaugh showed an awareness of the problems foster children face and
sympathy for Victoria
that enriched this novel. (Apparently Diffenbaugh is a foster mother, so she
has real world experiences to draw from). Although I’m not sure I buy the
derailing of Victoria’s
life with Elizabeth
when it is finally revealed, and the latter half of the book did not grab me as
forcefully as the first half, this one was definitely worth the read.
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